Author: Dylan BeattiePage 1 of 2
Supporting the excellent Teplota: https://www.instagram.com/teplota.tennota/ I’ll be tattooing records live, should be fun. Tickets here: https://www.eventbrite.co.uk/e/furrowed-tickets-623663844347
I’ll be giving a paper entitled ‘Record-breaking: Palimpsestuous inscription and other generative ‘record cutting’ misadventures’ at Innovation in Music held at Edinburgh Napier University between 30th June and…
Performing new work ‘Emptiplate’ at the Attenborough Centre for Creative Arts as part of Sussex Festival of Ideas – Sounding Spaces, Technologies and Each Other @ 6:30 on…
Self-noise is an audio-visual installation and performance reflecting a soundscape of disc inscription practice. The audio disc has been directly inscribed using signals from microphones present during the…
A record is scored in straight lines in multiple directions. Via an amplitude follower this provides synchronisation for synthesiser modules. Audio is inscribed to disc including locked grooves…
Installation and performance (31/01/20 only) at the Attenborough Centre for Creative Arts as part of the Acoustic Ecologies festival. Amazing line up of multi-channel soundscapes including Hildegard Westerkamp….
Pleased to be playing a set using a portable lathe and modular synth at the Rosehill Arts in Brighton on 4th of December alongside Rotting Sounds and Tom…
Go and experience the wonder that is the ‘Brecord’ made in collaboration with Daniel Hignell-Tulley and Antoine Canon at the Outlaw Art/Law Exhibition on 7-29th September at Socially…